Everyday we repair thermal disc printers from Rimage. While Rimage has consolidated their work to one location in California we provide repair services and maintenance contracts in centrally located Minneapolis, MN.
The printer models that we repair include the older Prism and Everest models but we are also fully trained to repair the latest model – The Rimage Everest Encore Printer.
If you would like to start an Everest Encore printer repair simply package up your printer (don’t forget to pack a CMY/Retransfer Ribbon so we can test your printer) and contact Mike at 1-800-295-0083
Believe it or not manufacturers such as Rimage and Epson are still producing and we are selling disc publishing equipment at a decent pace in 2024.
Disc Publishers and Printer purchasers typically fall into one of two categories.
Data Archivists
Content Distributors
Data Archivists are taking advantage of the relatively cheap prices associated with deep or cold storage on optical media. Once a dataset is archived it can be stored offline away from malware and data theft and it the energy costs associated are much smaller than offsite or on prem cloud storage. The disc printing allows them to use serialization and barcode technology to maintain a catalog which helps with data retrieval.
Some of our recent customers purchasing disc publishers for data archival are police departments, small law firms for evidence and document storage and State departments where regulatory compliance is critical.
Content Distributors are taking advantage of the resurgence of physical media and helping their customers extract the most revenue from their musical and video creations. The familiarity of established brands like the Epson Discproducer series of publishers means customers have a brand they know and trust.
Some of our recent customers purchasing Epson disc producers for content distribution are small local disc printers serving their local arts community and hospitals using the publishers for medical imaging. The relatively inexpensive cost of blank printable recordable CD & DVD and Epson discproducer ink cartriges means that even small production runs can be viable business opportunities.
Rimage Printers are also still selling well with both new and used units getting shipped to higher volume producers.
Of course we stock and sell all kinds of blank media and disc printing supplies for all the major brands of disc printers and publishers. If you don’t see something that you need don’t hesitate to contact us at 952-944-0083.
The simple answer has always been “Meet people where they are at.”
Look no further than the strategy employed by the folks at likely the biggest label in the world – Universal. When releasing Gwen Stefani’s new album “Bouquet” on CD they took to the airwaves. HSN airwaves to be precise.
Are Labels and Artists are still selling Physical Media in 2024?
Yes in fact many labels and artists are making heavy pushes back into physical media because the return on investment is much higher than streaming returns.
Why is Gwen Stefani on HSN hawking her new CD?
It’s about meeting your customers where they are at. Gone are the days of pushing out albums through a physical distribution channel. While Walmart, Target and Best Buy may still have a tiny retail footprint dedicated to selling physical albums, that doesn’t mean that folks that buy physical albums are making it to the store.
The marketing demographics for individuals purchasing albums on compact disc skews older and HSN still is able to grab a decent amount of those eyeballs. As they age, they are less likely to visit retail stores for shopping excursions so Universal went to them via HSN’s direct sales TV network.
I’m not big enough to get on HSN – How can I meet my audience where they are at?
Websites are a great way to meet your audience where they are and of course one of the oldest ways is still a great method – The Merch Table. Folks who have come to listen to your music want to support you as an artist. Compact Discs give them a great option to show their monetary support to your artwork and the physical item will always outperform intangible products like streaming.
Are you ready to press some CDs for your next Show?
We are here when you are ready – no quantities are too small. you can always visit our main website for your next Album Pressing or call us at 952-944-00830
Musicians looking towards the past are embracing old school cool - 3.5" Floppy Diskettes
Lo-fi and Midi artists are increasingly turning towards Floppy Diskettes to release their tracks on a unique media and cut through the noise.
In Nobuko’s eyes, they’re a sort of mysterious treasure, cloaked in offline exclusivity and very real scarcity. “To me, the floppy represents a couple of things,” he says. “Nostalgia, but also a punk ethos. It feels highly personal. The floppy, as fragile as it is, has to be handled carefully. The label or musician has put a lot of thoughts in it. And I do think that they are adorable.”
It makes perfect sense that in this crazy streaming world where its increasingly hard to stand out and utilizing a very unique form factor like Floppys is a great way to do it.
We already have one customer that we sell blank floppy disks to for his art projects – if you would like to buy blank floppy diskettes for your next project or need custom printed adhesive labels for a floppy diskette project you’re already involved with don’t hesitate to reach out to us at 952-944-00830
Since we are one of the few places that still duplicates CD, DVD and Blu-ray on a daily basis we are extremely pro physical media. It’s nice to see others hopping on the train and to get some external validation. 😁
We believe that physical media is still one of the most effective way for small artists be they musicians or filmmakers to earn revenue.
There is a myriad of reasons as to why there has been a slight increase in the amount of albums sold on Compact Disc the past two years but here are a few we believe to be responsible:
✔ Patronage: Fans want to show support to their favorite artists and physical media is far and away the best way to directly support small independent artists, musicians and filmmakers.
✔ Quality: Streaming platforms restrict sound quality to save bandwidth and many in the audience are waking up to the fact that their streamed music played over a phone or portable speaker is leaving huge portions of the sound quality on the digital cutting room floor.
✔ Digital Fatique: Year end streaming “wrapped style” reports show folks that they are listening to less varied music than ever before due to algorithms boxing in their streams. People are also tiring of how many platforms they have to pay subscriptions too just to rent what they used to own.
✔ Cost: Audiophiles that have embarked on the physical media journey often start with record albums but the cost of records can be prohibitive. While CD’s may not have the analog “warmth” of vinyl, the cost can be significantly cheaper. Pawn shops and thrift stores such as goodwill may have compact discs available for prices as low as a buck.
✔ Ownership: A CD is a tangible physical item that does not require an internet connection. While “leasing” content has clearly shown it’s the 800 pound gorilla it is not without chinks in the armor. CDs can be a great solution in locations where internet connectivity can be spotty such as Boats, RVs, Ice Fishing Shacks,etc.
✔ Nostalgia: Many of the audience that grew up during the heyday of physical media are longing for experiences they had long ago and some are delighted to find that they still have a book of CD’s in an old Case Logic stashed away in the basement.
✔ Experience: Albums are curated in a specific order of tracks to make a maximum impact. Streaming singles removes much of that impact. As we experience increased stress and demands in our work and personal life it’s nice to take roughly 72 minutes to ourselves and experience an entire album the way it was meant to be experienced.
So fire up that old CD player, plug in those old floor speakers that are in the basement corner and pour yourself a cocktail. It’s time to fire up the Who’s Tommy and listen to the pinball wizard. It’s time to slow down, get back to your roots and experience the art as it was meant to be experienced.
Let’s start really listening again. 😀 🎧
Physical media; Blu-ray, DVD or Compact Disc is still one of the most effective way for small artists be they musicians or filmmakers to earn revenue. If you want to harness your content and drive more revenue contact us today.
If your a band of filmmaker wanting help on your next album or DVD/Blu-ray please give us a call at 952-944-0083
We take our service of digitally converting your VHS and other tapes extremely seriously. We know that these are irreplaceable family heirlooms filled with precious memories.
We are often asked a lot of questions regarding our VHS Tape Conversion Service – Here are some Frequently Asked Questions (FAQ) :
Do you do VHS conversions onsite?
We convert 100% of our VHS conversions onsite here in Minneapolis, MN
Have you ever lost a tape brought in for conversion?
No we are a small business and all of our VHS conversion happens on site by our own hands
Have you ever had a VHS tape destroyed?
No, some tapes have come in that are already destroyed due to mold, or improper storage. We are unable to perform miracles
Do repair VHS tapes?
We can do some basic repairs as necessary on a best effort basis for simple situations like when a tape breaks
Have you ever lost customers VHS tapes to a fire?
No we provide our VHS Tape Conversion Service under a fire suppression system in our temperature controlled, secured commercial business park location. Your tapes are likely more safe in our warehouse than your home
Are your VHS Tape conversions guaranteed?
Yes however we highly recommend that any digital files we’ve converted to you are uploaded to both an additional offline storage medium (hard drive/laptop) in addition to a cloud based backup such as google drive or icloud
Where are you located?
We are located centrally near the intersection of Hwy 169 and Hwy 494 in Minneapolis, MN (Bloomington technically)
Can you restore VHS Tape?
No, as with all conversion or archival, the quality of the output will be determined by the quality of the input
Will I charged if my VHS Tape is empty?
No, since there is no vhs tape content to be converted, there is no charge for empty tapes
Do you watch the Videos you’re converting?
No conversion is a 1-for-1 process. A 90 minute Tape will take 90 minutes to convert. Quite simply there are not enough hours in the day
How long will it take?
That depends on a how many tapes we have in the conversion queue and how many tapes you have brought us to be converted. If you have a deadline like a funeral or memorial please make sure to tell us at dropoff time
Do you take extra care with VHS tapes?
Yes we know these are your precious memories and we do everything within our capabilities to make sure that they are handled with care and converted for future generations to enjoy.
Give us a call at 952-944-0083 or Contact Us via email to discuss having your precious VHS Tapes converted to digital for long term archival.
One of the most common issues when trying to load data onto a USB drive is when you know your drive is big enough but your computer is saying that there isn’t enough space on the drive.
USB Drive Formatting is Probably to Blame.
Most USB drives ship preformatted with FAT32 file system.
File Allocation Table (FAT) is a file system developed for personal computers. Originally developed in 1977 for use on floppy disks, it was adapted for use on hard disks and other devices. It is often supported for compatibility reasons by current operating systems for personal computers and many mobile devices and embedded systems, allowing interchange of data between disparate systems.[3] The increase in disk drives capacity required three major variants: FAT12, FAT16 and FAT32..
-wikipedia
Custom Printed USB Drive
FAT32 is often chosen by USB Flash Drive manufacturers because it is widely adopted having been in use for decades. It is also not a proprietary format meaning that they don’t have to pay a licensing fee. Businesses like when they can eliminate an expense.
The problem is because FAT was developed so long ago it is unable to handle contiguous file sizes over 4GB. Now back in the 90’s this was not a problem; file sizes were small, storage was expensive and people were stingy with their data. Today is a different story. High Def video files can get monstrous in size- 4GB worth of ones and zeros gets eaten up in the blink of an eye.
THIS IS THE MOST COMMON REASON THAT YOUR DRIVE REPORTS AS TOO SMALL WHEN YOU KNOW ITS A LARGE ENOUGH CAPACITY USB DRIVE.
Your problem is not that your USB Drive is too small. It is that you have a file that is too big to be written to the FAT file system.
What is the solution for Flash Drives that are formatted FAT32 if you need to load a file over 4GB?
Simply Reformat the USB Drive!
USB DRIVE REFORMATTING STEP 1.
Navigate to Windows File Explorer
USB DRIVE REFORMATTING STEP 2.
Right Click on your USB Flash Drive and Select “Format” from the drop down list.
USB DRIVE REFORMATTING STEP 3.
Under “File System” select either exFat or NTFS and click the start button. Windows will notify you once your formatting is complete. Both of these file systems are capable of handling larger files.
*Quick note – you may want to research with file structure is right for you. I believe that NTFS is better for linux and exFat is more native to Windows. These selections will be exacerbated by those looking to utilize their USB drives as bridge across OS.
MAKE ABSOLUTE SURE THAT YOU HAVE THE CORRECT USB DRIVE SELECTED AND THE CAPACITY LISTED MATCHES! YOU DO NOT WANT TO REFORMAT YOUR PRIMARY HARD DRIVE.
Now that your USB drive is formatted to a modern file structure you should be able to drag and drop or copy your files larger than 4GB to the drive.
This covers one of the most common issues you will come across when data loading USB Drives. I hope it helps remove some frustrations you might have incurred. If you have problems you cannot solve or would like help with data loading a large quantity of USB drives we would love to help you out.
You can always reach us at 952-944-0087 or contact us via email.
Frustrated that your entire music CD collection is now useless due to new vehicles shipping without a CD player?
Send us your CD Collection and we can scan and convert them to digital!
How does CD Conversion work?
You ship us your CD Collection.
We use automated robotics to scan your CD Collection and convert to digital.
We export your music onto a USB Drive and return it with your music collection.
Pump Up the Jams in your new car with Digital Conversion of Your Music!
Journey back in time to the first time you listened to your favorite album with your favorite people.
Why Digitize Your audio CDs Now
Future Proof your Music Collection!
Take back ownership of your tunes!
Forget about data limits!
Listen anywhere!
Is CD Conversion a Real Business?
We know, we know…believe me, we know! It’s a weird business. We all used to make our own mixtapes and custom CD’s all the time.
Heck we might have even made some of those albums you listened to. We remember when computers and your brand new car all had CD players and we actually owned our music too!
Unfortunately most modern vehicles and computers no longer ship with CD players and drives. That means people can’t easily rip their old collections.
We had enough customers and car dealers asking for CD conversion service that we decided to provide it.
If that’s you we’d love to hear from you. Call us at 952-944-0083 or contact us and we can discuss converting your CD collection to digital so you can enjoy those tunes and get back to rocking!
If you stick to the basics and follow these simple tips below you’ll be on your way to professional disc mastering created with as few hiccups and snags as possible.
1. Communication is Key
Smooth Operator…Coast to Coast LA to Chicago…
Nothing and I mean nothing can replace speaking directly with your studio or the production company regarding your master. Email can work but sometimes picking up the telephone is the simplest way to get from point A to B.
Bluray Mastering is required for 1080p Resolution
2. Content Delivery – The Correct Way
Check with your Disc Mastering Production Partner for vendor specific protocols for delivering content. Many will prefer delivery on physical media (DVD, USB, HDD) but will be open to delivery digitally. Remember to speak with your publisher regarding file size, runtime and filenames to make sure you are on the same page.
3. Provide a Manifest
Make sure to list your files and exact file names and run-times in the order you want them to play. You can use md5 or sha hashes for digital continuity testing or you can use run times both can work.
Laying out your files on a manifest, wire-frame or outline will help make sure your project is completed correctly on the first revision.
4. Determine total run time and output
Standard DVD using the most common resolution and frame rates typically will yield around 90 minutes of runtime. Dual Layer DVDs and Blu-ray are available which can extend your run-times per disc but come with added costs. Think about your audience and your content when determining whether a multiple disc solution vs a dual layer solution might be the right fit. In some cases we may be able to stretch the run time by adjusting frame rates and/or resolution but this is always at the cost of quality.
It can be a tough decision to make and sometimes paying a little extra for a physical master to review at home can be worth the cost.
5. Menu Considerations
Do you want to provide a menu for your audience to navigate or is the project better suited with an autorun where the disc starts playing through upon insertion. POS videos of product demonstration videos may benefit from looping. If you do want a menu – it is imperative that you provide a high resolution digital file in the proper aspect t ratio to use as your background.
DVD resolution is 480p so for legibility make sure that your use large bold san serif fonts and keep them away from the edges.
Blu-ray Logo
6. Resolution Considerations
This is one of the tougher questions for duplicators to answer. DVD is a more widely available format than Blu-ray. But any footage shot within the last ten years is likely 1080p or even 4K. If you want to maximize your resolution Blu-ray is the solution you are looking for. If you want to maximize your compatibility DVD may be your answer. Smart customers are purchasing bundles which include a mix or ratio of each.
Video Format Map
7. Format Considerations
Audiences in the US will need video content formatted in the NTSC format. Most audiences outside of the US (OUS) will require video content formatted in PAL. Think about where you intend to distribute your content when determining the proper formatting. **each format may be considered an additional title and charged according.
8. Future Proofing Considerations
Now is the time to think about having your duplicator output a high resolution digital file for future distribution. Putting your content in the highest resolution on a large capacity USB Drive or cloud service provider so that you can distribute it digitally if necessary is a wise choice. Ask your publisher about any additional fees, they may only add nominal cost.
9. GIGO
GIGO Is a common acronym that stands for Garbage-In-Garbage-Out. Really it is just a crass way to say that disc producers aren’t magicians. They can’t add resolution to your footage. The output quality will depend on the quality of the video content you provide us. We can do some minor corrections but we can’t fix bad audio or make low resolution or low frame rate footage look HD.
For the best possible output provide us with your highest quality footage.
10. Measure Twice Cut Once
Make sure to review your content multiple times prior to submission to make sure there aren’t any glitches, stutters or audio problems. It is imperative that the content you provide is ultimately free of defects.
If your looking for more details about Blu-ray Production and the shift that's on from BDR as a content delivery vehicle to that of an artist support model head on over to our sister blog and read all about it - The shift in Blu-ray Production.
We’d love to work with you on your next Disc Mastering Project
Please call us at 952-944-0083 and we can discuss any questions you may have
Regardless if your USB or SD card project is promotional or content delivery we can help you pick the right solution. Our knowledge and experience will help you seamlessly deliver your project on time and under budget.
Call us today to discuss how we can help you deploy your next USB or SD card project.
